Gold Crown IV

Gold Crown IV
FastMikie's Fun House, Del Mar, California

Friday, October 03, 2008

New Cloth Project: Finding the "da Vinci mechanic"

I have decided that the cloth will be Simonis 760 tournament blue. What is still undecided is who will take that cloth and create the canvas where I will perform my art.

In fact, that canvas, that table recovering project, is another person's art. I am looking for that "table mechanic" who treats his work as art.

Why all this focus on quality of the work? For starters, I'm a Virgo, which means perfectionist, meticulous, etc. I'm going to be spending a LOT of time with that table, not just playing on it, but also because it is the focal point of my living space, and because I am in my living space virtually 24/7. Whatever flaw there may be in the re-covering job will be noticed.

Another reason why the quality of the work is important is that I get some very important and knowledgeable people in the pool world who visit "FastMikie's Fun House" (my home) and who play on this table. They deserve to play on the highest quality equipment possible.

It would be my goal to have my table be of such high quality that a visitor, after playing on the table, would be driven to say that it was the best they have ever experienced. These are the conditions I want for myself, and for guests.

Ideally, the artist I'm looking for would be local, close enough to be able to make any adjustments after the initial work. It seems that there are always a few details that crop up after the fact. However, reputation trumps location. And it would be unlikely that the best would happen to be local. If there were someone who is generally acclaimed to be the best table mechanic, and they were not local, then I want to consider the extra cost of transporting them, hotel, etc. Of course, with this artist coming into town for this "commission", they would be well taken care of, with the best meals, lodging, transportation, and other niceties. All of these things will communicate my message of appreciation for their creation.

The artist who would clothe my table would be encouraged to sign his work. Why is that not done now? Why would it not be traditional for a table mechanic to leave his mark in some out-of-the-way place on the table? I can not imagine doing my best work and leaving it un-signed!

I have heard from many sources that the best mechanic in Southern California is Ernesto Dominguez. Yes, the professional pool player. I have called him and asked him to do the table, and he said it was too far. But maybe I caught him at a bad time. I didn't get a chance to tell him how important a job it is. I could have done a better job of helping him see how important it would be for him. Maybe I could make it fun as well as profitable for him. Maybe I could send a limo to pick up and deliver the Leonardo da Vinci of billiard tables in the style befitting his reputation? Would he be more favorably disposed to do my table if he knew his creation would be in many videos, seen by many people worldwide, and that each of these videos would mention his name as the table mechanic? Would such an artist be interested in the fame and glory that comes with the commission? Maybe I could also buy a lesson or two in the game while he is here. What would it take to attract him to this opportunity?

Or, maybe there is another da Vinci. Maybe there is a Michelangelo?

There is no rush. No deadline as for a tournament. No search for some lowest bidder. Only the best.

1 comment:

Anonymous said...

Contact Steve Listikow (TableMechanic on AZ billiards),He's closer than Ernesto and does great work. He did my table as well as numerous pool rooms and private tables throughout Southern Cal. you can see my table on

Bill Maropulos (Marop on AZ)